![]() The elements in this film are delicately wrought, and because of this the overall effect the movie has is more terrifying.ġ0 Cloverfield Lane is very literally a contained film. The film is undoubtedly a work of art, from its direction to its acting, cinematography, and score. However, to dismiss 10 Cloverfield Lane’s inclusion into the horror canon is to dismiss the valid female terror depicted onscreen and the reflection of society that is contained within the taut 104 minute movie. This is a discussion one usually sees in the horror community following the release of certain intelligent and thought-provoking films - to the point that the question seems trite and a way to obfuscate obvious horror components in various media. There were, of course, resounding dismissals that the movie was not really a horror film. Not long after the release of 10 Cloverfield Lane, there was conversation on how to categorize it and whether it falls into the category of horror. If do not wish to have anything spoiled, please do not read the following until after you have watched the film. As a result, there will be significant plot spoilers discussed. I Think We’re Alone Now: An Analysis of the Important Themes of Femininity, Masculinity, and the Female Experience Explored in “10 Cloverfield Lane”Įditor’s note: The following is an in-depth analysis of the deeper meanings contained within 10 Cloverfield Lane. ![]()
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